Great little article from the Irish times about what attracts people to classical concerts. I would argue, of course, that whether you are coming for a conductor or soloist is probably more tied in to your purpose for going to the concert in the first place.
Irish Times: Who comes first: the conductor, the composer, or the orchestra?
I’m a former marketer / arts administrator in the Australian classical music scene, and was privileged to work for three of the major classical music companies.
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